Skip to main content

Gallery talk

  • Visits & workshops
  • Thu 05 Feb 2026
  • 18:00
  • Sold out
Matthew Barney   Exposition Générale   2025
© Matthew Barney, Cremaster 4 : Ascending Hack : the Chasm at Sugarloaf, 1994, Tirage chromogène, cadre en acrylique auto-lubrifiant, 65 x 90 x 3,5 cm Edition 1/6 Photo © Marc Domage

Location

Fondation Cartier pour l’art contemporain

2, place du Palais-Royal

75001 Paris

Directions

Infos

Duration: 45 minutes

For a deeper insight: a conference led by a curator in the exhibition spaces, focusing on one or more artworks, in the presence of artists or guest speakers.

This visit is dedicated to Matthew Barney's The Cremaster Cycle, a series of five films blending cinema, sculpture, and performance. It offers an exploration of the themes of the body, myth, and metamorphosis at the heart of a major work of contemporary art.

Produced and co-produced by Matthew Barney over eight years, the epic Cremaster Cycle (1994-2002) is an autonomous aesthetic system composed of five feature films that explore creative processes. A total work of art, the cycle unfolds not only on a cinematic level, but also through the photographs, drawings, sculptures, and installations that the artist produces in conjunction with each episode. 

Through surreal and delirious images, this work projects us into a fantastic, unprecedented universe, both inaccessible and seductive. The Cremaster Cycle remains a unique work, unforgettable for its aesthetics and strangeness, for cinephiles as well as for contemporary art enthusiasts. 

Juliette Lecorne

Juliette Lecorne

Juliette Lecorne has been curator at the Fondation Cartier pour l'art contemporain in Paris since 2019. She has curated numerous exhibitions in France and internationally (New York, Milan, Shanghai), including recently Matthew Barney, Studio Mumbai, Mirdidingkingathi Juwarnda Sally Gabori. From 2016 to 2018, she held curatorial assistant positions at the Centre Pompidou and the FRAC Île-de-France. Specializing in contemporary art, she also has independent curatorial practice and contributes to various magazines and publications.