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Ways To Visit

Fondation Cartier pour l'art contemporain teams crafted tours especially tailored for you and your interests.

  • Parcours enfant   2025

    Children’s trail

    1h

    Children and adult visitors alike can set out on an independent exploration of Exposition Générale, encountering artworks that spark interest and amazement, with informative labels adapted for children, indicated by the _manu pictogram.

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  • Vue Exposition Générale, Fondation Cartier pour l'art contemporain, 2025

    "Être Nature" Tour

    1h

    The Fondation Cartier’s collection reflects its commitment to the relationship between art and the living world. The trail below is a short version of the “Être Nature” section of the exhibition, proposing a stroll through works of different mediums and illustrating the collection’s diversity.

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  • Parcours Un Monde Réel   Exposition Générale   2025

    "Un monde réel" Tour

    1h

    This section of Exposition Générale showcases the relationship between science, fiction, and artistic creation. It brings together artists and researchers seeking to imagine new ways of perceiving and representing reality.

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  • Olga de Amaral, Muro en rojo (détail), 1982

    “Making Things” Tour

    1h

    Making things is another one of the exhibition’s thematic sections. It features artists seeking to redraw the boundaries between fine and applied arts, crafts and design, and decompartmentalize artistic mediums. Ancestral and vernacular techniques are reinterpreted to explore their contemporary significance.

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  • Photo du bâtiment de la Fondation Cartier pour l'art contemporain au 2 place du Palais-Royal

    “Architectural explorations” trail

    1h30

    Jean Nouvel designed the Fondation Cartier’s first Paris building, on Boulevard Raspail, and the collaboration has continued with the new building at 2 Place du Palais Royal. This trail sheds light on Nouvel’s architectural project, and introduces visitors to a selection of works from the Machines d’architecture section of Exposition Générale.

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