Gallery talk
- Visits & workshops
- Thu 22 Jan 2026
- 18:00
Infos
Duration: 45 minutes
For a deeper insight: a conference led by a curator in the exhibition spaces, focusing on one or more artworks, in the presence of artists or guest speakers.
From the Fondation Cartier Collection, Andrea Branzi’s Gazebo (2008) is presented in the inaugural exhibition in its new spaces at Place du Palais-Royal. It will then be shown at the Triennale di Milano in March 2026 in the monographic exhibition Andrea Branzi by Toyo Ito. Continuous present.
This visit proposes to evoke the design exhibitions and exhibition designs that punctuate the history of the Foundation, including Andrea Branzi’s one, as well as those of Alessandro Mendini, Enzo Mari, and Formafantasma. It is an opportunity to discuss the place that the thought of space, through the device of display, occupies in Andrea Branzi's work, of which Gazebo is a singular example.
Michela Alessandrini
Michela Alessandrini, PhD (Tivoli, 1987) is a curator, researcher, and writer living and working in Paris. Her research focuses on exhibition history and curatorial archives, at the intersection of narrative, contemporary art history, and display. Since 2020, she has been a curator at the Fondation Cartier pour l’art contemporain, where she has worked on exhibitions including Guillermo Kuitca on the Collection of the Fondation Cartier pour l’art contemporain (2020), Mondo Reale (2022, within the 23rd International Exhibition of Triennale Milano, exhibition design by Formafantasma), Siamo Foresta (2023, exhibition design by Luiz Zerbini), and as co-curator of Io sono un Drago. La vera storia di Alessandro Mendini (2024) and Andrea Branzi by Toyo Ito (2026).
Emanuele Quinz
Emanuele Quinz is an art and design historian and professor in the Department of Visual Arts at Paris 8 University. From 2012 to 2015, he coordinated the professional master's programme in International Artistic Cooperation. Since 2012, he has also been an associate lecturer and researcher at EnsadLab, the École nationale supérieure des arts décoratifs. His research explores the boundaries between disciplines in contemporary artistic practices.
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