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Native Land, Stop Eject

  • Exhibition, Paris
  • Fri 21 Nov 2008 → Sun 15 Mar 2009
Raymond Depardon   Paul Virilio   Terre Natale, Ailleurs commence ici   2008
Vue de l'exposition Raymond Depardon, Paul Virilio, Terre Natale, Ailleurs commence ici, 2008 © Raymond Depardon / Magnum Photos Photo © Grégoire Eloy, Tendance Floue

Location

Fondation Cartier pour l'art contemporain

261 boulevard Raspail

75014 Paris

While the world has reached a critical moment in its history, where the environment conditions what humans do and what they will become, the exhibition Native Land, Stop Eject proposes a reflection on the notions of being rooted and uprooted, as well as related questions of identity.

Whereas Raymond Depardon gives a voice to those who wish to live on their land but are threatened with exile, Paul Virilio examines and challenges the very idea of sedentariness in the face of the unprecedented migrations confronting the contemporary world.

The exhibition is, therefore, a confrontation. It is at once a contradictory and complementary dialogue between filmmaker and photographer, Raymond Depardon, and urbanist and philosopher, Paul Virilio. Depardon’s work has often explored the idea of native lands. His interest in mother tongue languages and his capacity to combine both the political and the poetic are clear to anyone familiar with his work. Through his writing, Paul Virilio has spent much of his time working on the notions of speed, exodus, and the disappearance of geographic space.

“Raymond Depardon and I are both concerned with the same question: what is left of the world, of native lands, of the history of the only habitable planet today?”

Paul Virilio, 2008

Raymond Depardon   Paul Virilio   Terre Natale, Ailleurs commence ici   2008
Vue de l'exposition Raymond Depardon, Paul Virilio, Terre Natale, Ailleurs commence ici, 2008 © Raymond Depardon / Magnum Photos Photo © Grégoire Eloy, Tendance Floue
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