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Absalon

Born 1964, Ashdod (Israël)
Died 1993, Paris (France)

Absalon dans son atelier, Fondation Cartier pour l'art contemporain, Jouy en Josas, 1990

Encouraged by his uncle, art critic Jacques Ohayon, Meir Eshel, known professionally as Absalon, came to live in Paris in 1987, where he studied under Christian Boltanski at the École Nationale Supérieure des Beaux-Arts. He took on the name Absalon in reference to the Biblical figure, the rebellious son of David who had a tragic destiny.

In 1990, Absalon was in residence at the Fondation Cartier in Jouy-en-Josas, where he created the four elements of Propositions d’Habitations that became part of the collection after their exhibition during Lignes de Mire – 1.

Absalon enrolled at the Institut des Hautes Études en Arts Plastiques, which was, at the time, run by Pontus Hulten, Daniel Buren, and Sarkis. Absalon designed spaces that combined all the characteristics of sculpture, furniture, and architecture, but could not be defined as belonging solely to those categories. As of the late 1980s, he created a series of Propositions d’Habitations. Crafted with no regard for functionality, cylinders and parallelepipeds contrast with the rounded forms and sharp edges, giving rise to a multiple and personal universe. Struck by AIDS, Absalon began a major project that involved building six residential structures. These buildings, called "Cellules" (cells), were to be located in Paris, Zurich, New York, Tel Aviv, Frankfurt, and Tokyo, and serve as "a home that relates to the dimensions of the artist's own body and mental space". In 1993, his first solo exhibition was organised at the Musée d’Art Moderne de la Ville de Paris. He died that same year, at the age of 28. Retrospectives of his works have been organised around the world as well as in France in 2021 at the CAPC Musée d'Art Contemporain de Bordeaux.

Absalon   Exposition Générale   2025
© Estate of Absalon, Propositions d’habitations, 1990, Wood, cardboard, plaster, acrylic paint, fluorescent tubes, metal, 108 × 610 × 610 cm Photo © Marc Domage